Edgar Allan Poe: Narrative Structure in “Ligeia” Essay

Known for his flowing descriptive and gothic style, Edgar Allan Poe does not appear to develop any evident narrative anatomical structure in his work. His short stories atomic number 18 generally identified with the gloomy, desolate, and horrifically shocking sensations they spark inside the reader. Particularly in his short story, Ligeia, Poe seems to have done away with any sort of apparent structure within the story. Rather, he portrays it as a mixture of somewhat chronological events combined with the wandering thoughts from the eccentric mind of the teller. However, narrative structure lies beyond the guileless story pedigree of plot and can be revealed within many other elements of a story. In Ligeia, the elements of theme and repeating play an important role in developing and maintaining its narrative structure.In particular, Poe seems to stress one interestingly repeated quote, as it appears four times throughout the story. Man doth not yield him to the angels, nor unto finis utterly, dispense with only through the weakness of his feeble give (1, 1, 4, 7). From the continual emphasis of this quotation, there arises a principle notion of a tension amidst the predominant themes of animation and death. Furthermore, this notion constitutes the backbone of the story from which all other recognizable themes subsequently branch from. The themes of death, criminality, life, and opium the factor that questions the validity of all provide recognizable markers to the overriding theme of the tension between life and death within Ligeia.The pervading theme of death fills Poes writing and creates an omnipresent atmosphere of dark apprehension. The attempt of the text incessantly alludes to the upcoming death of Ligeia. All the familiar characteristics of her person (her wildly effulgent eyes, her interest in the narrators studies) gradually come about away in Poes description of her illness. Andnow those eyes shone less and less frequently upon the p ages over which I pored. Ligeia grew ill (5). The death of Ligeia renders her husband wholly helpless and continually longing for her. Without Ligeia I was but as a child groping benighted (5). This fruitless despair and misery thus sets the nicety of irresolution for the rest of the story.Furthermore, it too adds to the structure of the narrative by substantiating the life and death tension. By juxtaposing this feeling of continual yearning with the shock and badinage of the necromancing of Ligeia, the surprise ending of the story is further emphasized. This motif of sickness and death again reappears as the Lady Rowena falls deathly ill. Typical of his depressing style, Poe creates a more terrible and incurable sickness for the second wife. Her illnesses were of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians (9). Continuing to accentuate the horror and angst of death, Poe describes the ashes of Lady Rowena vividly. The lips became doubly shriveled and pinched up in the ghastly expression of death a repulsive clamminess and coldness overspread apace the sur acquaint of the body and all the usual rigorous stiffness immediately supervened. (11)This slow anti-climactic death continues to the keep hopes of the narrator and the reader fluctuating, maintaining the feeling of unresolve. The anxiety exhibited within the irresolution of death therefore supports the structural theme of the tension between life and death.A more subtly conveyed theme, guilt, continues this trend of unease. This self-blame originates from the narrators subconscious jealousy of Ligeias intellectual superiority. She maintains the leadership in their marriage. The narrator obviously adores her and is extremely aware of her intellectual strength over him. Proclaiming that she maintains unquestionable supremacy of knowledge, the narrator unintentionally develops this jealousy. The intellectual acquisitions of L igeia were gigantic, were astounding (4). He seems to conceal a slight resentment of her scholarly dominance. This becomes noticeable as he states that he renders himself a child incomparison to her authority. I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance (4).With a certain bitterness, he later repeats, Have I ever found Ligeia at fault? (4) It can even be implied that after the narrator reaches the limits of her knowledge, he virtually wills her death. Being so caught up with cultivation worlds of information through her guidance, he is incredibly disappointed when he discovers a boundary to this freely give wisdom. From these implied feelings of jealousy and disappointment, he understandably feels incredible guilt and remorse after her death. This could be one of the reasons he obsesses over her death. Because of these circumstances, the resulting unsettled atmosphere of tension reinforces the tension of Lige ias death.Challenging the despondency of death, the immeasurable will of life eventually overcomes death, thus breaking the tensions between the two. Ligeia provides the source for this will. Her fight with death portrays her strength of character most effectively. The narrator continually emphasizes her spirit with repetition of words. Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. In the intensity of her wild desire for life -for life but for life bold mine solace and reason were alike the uttermost folly (5). As Ligeia repeats her famous quote (Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will (7)) twice before dying, her resolute determination not to give herself to death proves undeniable. Her repetition of this quote could be thought to signify that she can only die if she resigns herself to be weak and feeble that she will return to life becaus e her will to live surpasses death itself. It could also be thought of as Ligeias last request to her husband telling him that if his will is strong enough, he can bring her back to life. Whether or not the narrator understands what she says, he acts accordingly.Never does he forget Ligeia or stop thinking of her. Feeling that he needs to fill the void that Ligeia left, he quickly marries the next available woman, Lady Rowena. While comparing Ligeia to his second wife, however, he becomes further embittered and his will for Ligeia to return to life becomes more fanatical. He admits of Rowena, I loathed her with ahatred belonging more to demon than to man. My memory flew back to Ligeia, the beloved the august, the beautiful, the entombed (9). At times, Ligeias desire for life combines with his yearning for her and the prophecy almost becomes real. Now, then, did my spirit fully and freely burn with more than all the fires of her own. as if I could restore her to the pathway she h ad abandoned upon the earth (9). Immediately after this line is mentioned, Lady Rowena becomes ill with a sudden illness. The narrator, perhaps unconsciously, seems to be meddling with the connection between life and death.During Rowenas many fluctuations between life and death, it becomes obvious that the narrators thoughts are controlling the state of his current wife. As he concentrates on attending her and watching her closely, she falls back into death. As he reminisces about Ligeia, however, the corpse becomes alive again. One may suspect that Rowena has died days ago and the glimmer that is Ligeia returns only when the narrator wills it. Ligeias final transformation into the existent ends the novel with a bang. After all the narrators lament and yearning for Ligeia to live again, his reaction is one more of horror than of happiness as he shrieked aloud (13) after his discovery. Perhaps because of his guilty conscience, the narrator responds with fear of her rather than love and he is finally forced to come face to face with his guilt. Consequently, this will to conquer death confronts the tensions between life and death head on and thus shattering them.The final major theme permeant the plot, opium use, questions the validity of the narrators accounts much(prenominal) as reviving the dead. Not so subtle hints to the narrators opium use fill the narrative. He admits numerous times to having utilize the drug and that it affects his mind. After suffering the pain and loss of losing his love, the narrator resorts to opium to blur the sharp reality of this anguish. I had become a bounden slave in the trammels of opium, and my labors and my orders had interpreted a coloring from my dreams (7). Furthermore, when he describes seeing the ghost of Ligeia and the drops of red fluid in the wine, he questions his state of mind several(prenominal) times. But I was wild with the excitement of an immoderate does of opium I considered the circumstance to have bee n but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, bythe opium italics mine, and by the hour (10).Before his vision of the living Ligeia, there are at least three specific references to the narrator having used opium the page before. Consequently, his account is definitely questionable. In addition, the accounts the mysterious noises and visions of Rowena can also be questioned as it was common to give opium to those suffering from Tuberculosis (which is what was Rowena was hypothesized to have). The narrators opium use could be part of the source of tension so prevalent in this story. Because of his constant dream-like state, it is probable he creates tensions that are not there such as believing he can control the state of Ligeia (causing her death, willing her back to lifeetc.). Of course, it is also possible that Ligeia never did return to life and he had fallen into another opium dream. The numerous opium references diffused through out Ligeia intensify the narrative structure by adding the element of doubt to the narrators account.These major elements from Ligeia, death, guilt, life, and opium use, right away reinforce the main structural element holding the narrative together, the life vs. death tension. All four complement each other as headspring for without one, the other ones would not be complete. Without the pervading theme of death, the will to overcome death would not be as shocking. Without the acknowledgement of the opium usage, the story might be taken literally and simply pinned down as a surreal fantasy. With the knowledge that the story is told through the misty veil of opium, however, the possibility exists that the there exists no uncanny elements at all and only a narrator in a dreamy state-of-mind. Thus, although Ligeia seemingly lacks structure initially, its structure subsists within the interweaving of these four prevailing themes.